Hi Rachel. I’m
sure people would like to know more about you. Can you tell me a couple of things about you that people
don’t know?
I used to play chess as a teenager; I played in probably
hundreds of tournaments, including one in Brazil. I was too lazy to truly devote
myself to studying it, so eventually I reached a plateau and never moved beyond
that. I don't play these days, but I do feel like the skills I learned as a
chess player apply to writing in some ways. I also go to trivia nights and love
word games. I grew up in New Jersey (Teaneck) and now live in New Jersey again
(Red Bank) for the first time in twenty years.
When did you start writing erotica and why?
I started writing erotica after reading lots of it during my
misbegotten years in law school, and thinking, "I could try this." So
when I saw the call for submissions for celebrity erotica stories by Shar
Rednour for her book Starf*cker, I took
my real-life crush on Monica Lewinksy and turned it into a short story. I think
I was more intrigued by the idea that I could write fiction, which I never had
before, and once that first story got published, both the excitement and
gratification of that, and the fact that I was starting to explore my own
sexuality in new ways, kept me writing. I fell for the short story format and
the worlds that writing about sex opened up to me. My first stories were about
characters very much like me, and sometimes I still write ones like that, but
for the most part, I've grown and expanded in my erotica. I still love the feeling
of coming up with an idea, often inspired by a photo or story or image or sex
toy or event or person, that I then twist and contort until they're almost
unrecognizable, even to me, in the final story.
How did you go from writing erotica to editing erotica
anthologies?
My published erotic short stories led directly to being
asked to co-edit erotica anthologies, and then edit my own anthologies. I had
built up a small body of published stories, as well as written many book
reviews. My first short story was "Monica and Me" and it appeared in
both Shar Rednour's Starf*cker (Alyson)
and Tristan Taormino's Best Lesbian Erotica 2001 (Cleis). I enjoy the process of writing, which is
very solitary, but also the more social aspect of editing anthologies and getting
to work with authors from around the world. I've edited 52 anthologies since I
started in 2004, and there are more on the way.
How long have you been editing Best Sex Writing and, as a
well-known writer and editor of erotic fiction, what made you want to work on a
book with a more journalistic approach to sex?
I was asked to start editing the Best Sex Writing series
with the 2008 edition, based on my nonfiction work, including my former Village
Voice sex column Lusty Lady. Nonfiction is
my first love, and I still feel as if erotica is something I luckily stumbled
into. I think fiction, erotica included, can say very powerful things about
sexuality, but nonfiction, speaking our truths and investigating the many
worlds and subcultures and mores and laws around sex, is just as, if not more,
important. Sex doesn't have its own section of the newspaper, but it permeates
the news, from the front page to the business section to arts and sports and
travel. It's everywhere, but it's still sometimes treated as something less
than, as if it's a breeze to write about sex simply because it's supposedly
salacious. I think good writing about sex can be challenging, and what I love
as an editor is discovering writers who've rose to this challenge. One of the
best pieces I've ever published, in my opinion, is novelist Stacey D'Erasmo's
essay "Silver-Balling" in Best Sex Writing 2009. I hold that up as a standard of what sex writing
can do—question, unnerve, provoke, challenge, amuse.
My feeling is that this book is more than just
entertaining. Why do you think a
book like this is important and whom do you hope will make up your readership?
Some of the feedback I've gotten, perhaps because people
know my erotic writing, is that this series isn't erotic. And it's not, necessarily,
though occasionally there have been some pieces that might qualify as literary
erotica of a sort. But the intention is different; these are intended to be
more in line with other annual Best Of collections that capture the best of the
previous year of writing on a given topic. I try hard to create a range of
writing that spans what most, or even all, readers would come across on their
own. It's likely if you read a lot of the same publications I do you may have
read a few of these, but I hope it's still worthwhile to have them collected
together, playing off of one another, occasionally speaking to each other. My
dream readership is someone who has never heard of anyone in the book (with the
exception perhaps of Jonathan Lethem) and has never read a book about sex.
Certainly, the core audience is probably people predisposed to be interested in
the topic, but I think sex is such a universal topic that it could speak to
anyone. I try to stay away from overly academic language that might be too
dense for both me and the average reader, and keep the writing provocative and
intelligent but also accessible.
This year, the foreword was written by Carol Queen, an icon
in the study and culture of sexuality.
In case all my readers are not familiar with her, can you tell us a
little about her background and why she was such a good choice for the
foreword?
Carol Queen's book Exhibitionism for the Shy and Real Live Nude Girl were incredibly powerful for me in terms of learning
about sex-positive culture. They are highly personal as well as political and
educational. They are about sex, and sex work, and shame, and blasting sexual
shame apart. She's a pioneer, but she is also out there, now, writing and
teaching, both as Staff Sexologist at Good Vibrations, a columnist for BUST, a
speaker and a person. Her books too I'd recommend to anyone interested in
learning more about sex, whether they've read anything similar before or not.
As both a writer and an editor, I’m really curious about
your process for finding/choosing articles for Best Sex Writing. I know you take submissions, but
knowing how incredibly well read you are, I figure you see an awful lot of
what’s out there. When you come
across something special, do you also approach authors with a request for an
article you’ve read? And just how
does that Editor/Guest Editor team work?
When editing the Best Sex Writing series, I'm always on the lookout for good writing
about sex, especially writing by people who don't normally write about the
topic. I'm also trying to look for timely topics, such as "Porn Defends
the Money Shot" by Dennis Romero from LA Weekly. I consult with the guest editor, asking for input
on pieces or topics I should include, and they narrow down my initial round of
selections. It's a collaborative process.
There’s a whole range here. Everything from memoir to news. Does the work, itself, frame the theme or is there a
theme? How do you decide what to
include?
I don't necessarily think the pieces have one unifying
theme, though others do; Laura Anne Stuart in SEXpress suggested it's "the normalization of BDSM, sex work, polyamory and sexual
orientation." But I do think taken as a whole they make some powerful
statements about the role of sex in our culture and on individual people's
lives. Several of the pieces here speak to sexual subcultures, such as Lori
Selke's essay "Dear John," written as an open letter. I firmly
believe that the deeply personal is often the most accessible. Even though it
is highly specific, as Selke's essay is, I think there's an element to it
that's about far more than sex; it's about community and fitting in and feeling
left out and claiming a place within a group. Perhaps that is true of all the
pieces; that as much as they are about specific aspects of sex, from polyamory
to age play to aging and sex to nude art modeling to vibrators to Tim Tebow's
virginity to BDSM to sex work to bisexuality and beyond, each is also about something
more than sex. That's not to say everything written about sex needs to be about
something more than that, but I think it speaks to the quality of the writing
and insights therein that these pieces highlight sexual situations but each of
them are also about what we as a culture bring to the conversation about sex.
So Jon Pressick's "Holy Fuck" is about Tim Tebow's virginity, but
also what sports culture thinks about virginity, what values we imbue virginity
with.
Jon Pressick; I was just on his Toronto radio show. What an interesting, smart, well-read guy. Thanks so much for the interview, Rachel. Readers: here are some links you may find of interest.
Here's the books page on GoodReads
Here's a link to the Best Sex Writing 2013 website
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